ATOMOS SHINOBI SDI

The Shogun Studio II Rackmount 4K Dual Recorder & Monitor from Atomos features two 7″ monitors with a high brightness of 3000 cd/m². It allows continuous 4K60 recording and monitoring on both channels, and it supports four 1080p60 SDI ISO recordings in a multicamera setup. The 3RU rackmount solution offers SDI and HDMI input/output with signal conversion, stereo XLR input/output per channel with 48V phantom power, and compatibility with ProRes RAW, ProRes, DNxHR, and Adobe CDNG codecs.

HDR dual monitor and 8-channel HDp60 / 2-channel 4Kp60 rackmount recorder

The flexible new Shogun Studio 2 takes state of the art Atomos multi-channel recording technology and combines it with two premium 7” HDR 3000nit* high bright touchscreen displays, all in a single 3RU unit. Its unique combination of features makes it perfect for live events, outside broadcast vehicles, production galleries and MCRs, post production facilities, video wall playout, on-set DITs and sports officiating. Connect to practically any SDI or HDMI source including camera channels, PTZ cameras and vision mixers.
*peak brightness

Record multiple formats
The Shogun Studio 2 records either two channels of 4Kp60, or up to eight HDp60 sources in industry standard Apple ProRes, ProRes RAW and AVID DNx codecs. Free your workflow from the constraints of highly compressed GOP based codecs and their associated artifacts. Replace them with clean images captured direct from the sensors of your camera channels using modern Intra-frame codecs.

Both ProRes and DNx are robust, easy to edit, colour accurate production codecs used throughout the industry. You can even take this one step further and record ProRes RAW from a wide range of cinema cameras for maximum fidelity.

Playback and edit

Review or play out your footage directly on the Shogun Studio 2 using the innovative touchscreen controls. Playback and play out up to 4Kp60 video, or 2K/HD high frame rate footage slowed down in the unit itself. Playlists can be created from clips either recorded on an Atomos recorder, or from your edit system in a supported codec, resolution and framerate.
Groups of clips can be played in either a run down or reverse order without the need for an additional playout server. Mark in and out points to create sub clips in metadata that can be brought into your NLE for rapid editing. Loop the playlist, or for single files you can mark in and out points for repeated play back.

Advanced record modes

The Shogun Studio 2 offers Pre Roll recording with a 8 second cache in HD, or 2-3 seconds in 4K, to make sure you never miss the action. It also offers Multi Camera ISO recording and Switching of up to 8 SDI inputs from cameras at up to 1080 p60. Each bank of 4 inputs also benefits from a switched output allowing you to have two video switched.

Master your rack

The Shogun Studio 2 only takes 3RU of space and has a short rack depth making it perfect for use in monitor bridges or in small mobile broadcast vehicles. Redundant dual power supplies balance the power load. The rear of the Shogun Studio 2 provides grouped connectivity for each of the recorder channels with 12G, 6G, 3G (single, Dual, Quad) and 1.5B SDI I/O, HDMI with support for both the inputs and outputs, plus XLR audio I/O, Genlock and LTC input and loop through.

Bi-directional SDI & HDMI signal convertors easily allow for connection of HDMI equipment like mirrorless cameras for routing to a mixer or LCD screens in the gallery. Built into the I/O are 4K-to-HD signal down convert on both SDI and HDMI.

Class leading screen technology

The dual 7” screens of the Shogun Studio 2 have advanced dynamic zoned backlighting for deeper blacks and brighter whites, while retaining every detail in the highlights. See what the camera channel is capturing with unparalleled precision and use the advanced HDR tools for Log or RAW to ensure perfect exposure, colour and white balance.

The ProRes RAW Advantage

Creators are granted complete creative control of their video images in post-production as ProRes RAW combines the flexibility of RAW video with the real-time performance of ProRes. The format gives filmmakers incredible latitude when adjusting the look of their images and extending brightness and shadow detail – making ProRes RAW ideal for HDR workflows.
In addition to their groundbreaking combination of flexibility and performance, Apple ProRes RAW files are smaller than other RAW files – simplifying and accelerating file transfer, media management, and archiving. ProRes RAW files can easily be edited on most modern Apple Mac systems. ProRes RAW is fully supported in Final Cut Pro X along with a collection of other apps including ASSIMILATE SCRATCH, Colourfront, FilmLight Baselight, and Grass Valley Edius. Adobe Premiere Pro and Avid Media Composer are also set to support ProRes RAW in 2020.