ATOMOS NINJA V
598,37€ c/IVA
- Estimate delivery times: 3-5 days (Portugal Continental), 5-7 days (Portugal Ilhas)
- Returns accepted if product not as described, seller pays return shipping; or keep the product & agree refund with seller
- Easy payment online or bank wire transfer (Portugal)
Details & Description
ATOMOS NINJA V
The Atomos Ninja V 5″ 4K HDMI Recording Monitor is a 5″ on-camera monitor/recorder that records and plays back DCI 4K, UHD 4K, and HD video from purpose-built mini-SSDs. This monitor can record Apple ProRes Raw up to DCI 4K24 or UHD 4K30 directly from the sensor of select cameras, with compatibility for additional cameras to be added in a future update.
It features a 10-bit FRC IPS screen with a brightness of 1000 cd/m², which makes it suitable for use in both exterior and interior conditions. The AtomHDR display technology allows you to accurately monitor your log gamma footage without having to view flat, washed-out looking images or use a LUT to compress the dynamic range and color space. The monitor supports popular log formats from Sony, Canon, Panasonic, ARRI, RED, and JVC cameras. The settings only affect viewing, with recorded video remaining unaltered.
The Atomos Ninja V 5″ 4K HDMI Recording Monitor is a 5″ on-camera monitor/recorder that records and plays back DCI 4K, UHD 4K, and HD video from purpose-built mini-SSDs. This monitor can record Apple ProRes Raw up to DCI 4K24 or UHD 4K30 directly from the sensor of select cameras, with compatibility for additional cameras to be added in a future update. It features a 10-bit FRC IPS screen with a brightness of 1000 cd/m², which makes it suitable for use in both exterior and interior conditions. The AtomHDR display technology allows you to accurately monitor your log gamma footage without having to view flat, washed-out looking images or use a LUT to compress the dynamic range and color space. The monitor supports popular log formats from Sony, Canon, Panasonic, ARRI, RED, and JVC cameras. The settings only affect viewing, with recorded video remaining unaltered.
Built to withstand the rigors of production, the Ninja V features an aluminum chassis and powers from a single L-series battery. Additional features include a variety of onscreen exposure analysis, framing, and focus assist tools, as well as anamorphic de-squeeze. An SSD Caddy, power supply, and dummy battery are included with the unit.
Designed with an interface that differs somewhat from prior units, the Ninja V’s HDR functions are accessed through the MON buttons and its ProRes options are chosen via the arrows on the unit’s upper left corner. The Ninja V can record to both AtomX SSDmini or standard 2.5″ SSD drives, fitting up to 150 minutes of 4K video on a 1TB drive. Separately available AtomX Ethernet/NDI and SYNC Expansion Modules enable you to output live video over IP or add wireless timecode for multicamera shoots respectively.
AtomHDR
Supported Log Formats
- ARRI Log C
- Canon CLog / CLog 2
- Fuji F-Log
- JVC JLog
- Sony SLog2 / SLog3
- Panasonic Vlog
- RED LogFilm
HDR Recording
- ARRI Log CEI160 / LogCEI200 / LogCEI250 / LogCEI320/ LogCEI400 / LogCEI500 / LogCEI640 / LogCEI800 / LogCEI1000 / LogCEI1280 / LogCEI1600
- Canon CLog / CLog2 / Clog3
- Fuji F-Log
- JVC JLog1
- Panasonic Vlog
- PQ10k, HLG
- RED LogFilm / Log3G10 / Log3G12
- Sony SLog / SLog2 / SLog3
Apple ProRes Raw Recording
- Record Apple ProRes Raw with select cameras at rates up to DCI 4K24 or UHD 4K30 and up to 120 fps in HD; this enables ProRes Raw capture in a small, mirrorless form suitable for a variety of applications. Compatibility with additional cameras will be added in a future update.
HDR Monitoring
- ARRI ALEXA Wide Gamut
- Canon Cinema / DCI P3 / DCI P3+ / BT2020
- Fuji F-Log
- JVC LS300
- Panasonic V Gamut
- Rec. 2100
- Rec. 709
- RED DragonColor / DragonColor2 / RedColor2 / RedColor3 / RedColor4 / RedWideGamut
- Sony SGamut / SGamut3 / SGamut3.cine / BT2020
- Wide Color Gamut (SGamut / SGamut3 / SGamut3.cine / Canon Cinema / BT2020 / DCI P3 / DCI P3+ / Panasonic V Gamut / ARRI ALEXA Wide Gamut) mapping to Rec. 709 on screen.
- Wide Color Gamut (SGamut / SGamut3 / SGamut3.cine / Canon Cinema / BT2020 / DCI P3 / DCI P3+ / Panasonic V Gamut / ARRI ALEXA Wide Gamut) mapping to Rec. 709 / BT2020 / DCI P3 on loop out.
4K 60p Capabilities
SSD Recording
Audio I/O
5″ Daylight Viewable Screen
HDR Signal Management
Anamorphic De-Squeeze
Edit-Ready Recording
| Weight: | |
| Without batteries & media | 320g / 11.28oz |
| With stand | 6.0kg / 13.2lb |
| Dimensions (W x H x D mm) | 151 x 91.5 x 31mm |
| Construction | Aluminium alloy chassis with ABS polycarbonate back plate |
| Mounting points | 1/4-20 UNCscrew mount; 1x top, 1x bottom |
| Power: | |
| Operating power | 10 – 19W |
| Compatible batteries | NP-F series and supporting accessories |
| Input voltage (battery) | 6.2V to 16.8V |
| Battery time | (based on 2 x 7.4V) 5200mAh – up to 2hrs (monitor & record 4K +60p) |
| 7800mAh – up to 3hrs (monitor & record 4K 60p) | |
| DC In | |
| Continuous power (Patent pending) | Continuous power with external adaptor |
| Touchscreen: | |
| Size | 5” |
| Resolution | 1920 x 1200 |
| PPI | 427 |
| Aspect ratio | 16:9 native |
| Colour Gamut | REC709 HDTV |
| Look up table (LUT) support | 3D LUT (.cube format) |
| Anamorphic de-squeeze | 2x, 1.5x, 1.33x, Panasonic 8:3 |
| Technology | SuperAtom IPS panel (capacitive touch), calibration to Rec.709 with optional calibration unit |
| HDR: | |
| AtomHDR | Yes |
| Supported Log formats | Sony SLog2 / SLog3, Canon CLog / CLog 2, Arri Log C, |
| Panasonic Vlog, JVC JLog, Red LogFilm | |
| HDR Recording (Gamut) | Sony SLog / SLog2 / SLog3, Canon CLog / CLog2 / Clog3, |
| Arri Log CEI160 / LogCEI200 / LogCEI250 / LogCEI320 | |
| / LogCEI400 / LogCEI500 / LogCEI640 / LogCEI800 / | |
| LogCEI1000 / LogCEI1280 / LogCEI1600, Panasonic Vlog, | |
| JVC JLog1, Red LogFilm / Log3G10 / Log3G12, FujiFilm | |
| Flog, PQ10k, HLG | |
| HDR Monitoring (Gamma) | Sony SGamut / SGamut3 / SGamut3.cine / BT2020 |
| Canon Cinema / DCI P3 / DCI P3+ / BT2020 | |
| Panasonic V Gamut | |
| Arri Alexa Wide Gamut | |
| Rec709 | |
| JVC LS300 | |
| Red DragonColor / DragonColor2 / RedColor2 / | |
| RedColor3 / RedColor4 / RedWideGamut | |
| HDR Monitoring (Gamut) | Wide Color Gamut (SGamut / SGamut3 / SGamut3.cine / Canon Cinema / BT2020 |
| / DCI P3 / DCI P3+ / Panasonic V Gamut / Arri Alexa Wide Gamut) mapping to | |
| Rec709 on screen Wide Color Gamut (SGamut / SGamut3 / SGamut3.cine / Canon Cinema | |
| / BT2020 / DCI P3 / DCI P3+ / Panasonic V Gamut / Arri Alexa Wide Gamut) mapping to Rec709 / BT2020 / DCI P3 on loop out | |
| Bit depth | 10-bit (8+2 FRC) |
| Brightness | 1000nit (+/- 10% @ center) |
| HDR input (PQ/HLG) | Yes / Yes |
| HDR output (PQ/HLG) | Yes / Yes |
| Video Input/Loop Out: | |
| HDMI | 1 x HDMI (2.0) |
| Signal | Uncompressed true 10-bit or 8-bit 422 (camera dependent) |
| Video Output (Play Out): | |
| HDMI | 1 x HDMI (2.0) |
| Signal | Uncompressed true 10-bit or 8-bit 422 (playback file dependent) |
| Supported Loop Out Formats: | |
| HDMI to HDMI | 720p 50/60, 1080i 50/60, |
| 1080p 24/25/30/50/60/100/120 | |
| 2160p 24/25/30/50/60 | |
| AtomXpansion Video Audio Power Extender In/Out: | |
| Video | Up to 4Kp60 |
| Audio | 12 channels digital 24-bit 96KHz |
| Power | 5V-16.6V |
| Supported Codecs & Frame Rates (Record & Playback): | |
| Video to ProRes / DNxHR | Apple ProRes HQ, 422, LT AVID DNxHR HQX. HQ, SQ, LB |
| 4K DCI; 24/25/30/50/60p | |
| 4K UHD; 24/25/30/50/60p | |
| 2K (DNx utilizes a .MOV wrapper) | |
| 1080p; 24/25/30/50/60/100^/120^ | |
| 1080i; 50/60i, 720p; 50/60p | |
| Onboard Processing: | |
| Pulldown removal | 24/25/30pSF > 24/25/30p (2:2 pulldown) |
| 60i > 24p (3:2 pulldown) | |
| 4K UHD downscale for HD monitoring | Yes – Loop-out and playback |
| Audio In/Out (48kHz PCM Audio): | |
| HDMI | 2 or 8ch 24-bit, camera dependent |
| Audio | Line in / Mic in / Headphone out 2ch 48kHz 24-bit |
| Headphone out | 3.5mm |
| Built-in speakers | Yes |
| Remote Start/Stop: | |
| HDMI | Auto HDMI Trigger |
| Supported Protocols – Canon, Sony, Atomos Open Standard | |
| Other | LANC control – Slave |
| Playback: | |
| Playlist / Genlock / LTC | Yes / – / – |
| CDNG (Recorded content) | N/A |
| ProRes (Recorded content) | All recorded files can playback. Playback in slow motion. |
| DNxHR / DNxHD (recorded content) | All recorded files can playback. Playback in slow motion. |
| Recording: | |
| Pre-roll record | Yes (HD 8s, 4K 2s) |
| Custom timelapse | Yes |
| Meta data tagging | Yes (10 tags available) |
| Supported media | 2.5” SSD/HDD compatibility depends on recording format, resolution and frame rate. |
| Visit atomos.com/drives for list of tested and approved drives | |
| Master caddy case | Master Caddy II (included) 75mm x 105mm x 12mm |
| Master caddy dock | 2.5” SATA to USB 2.0/3.0 |
| Supported applications | Supported Applications FCPX/FCP7+ / Media Composer 5.0+ / Premiere 5.5+ |
| EDIUS 6.0+ / Vegas Pro 10+ / Lightworks / | |
| Autodesk Smoke 2015 | |
| XML support | FCPX XML native, FCPX/Adobe limited supported with 3rd party conversion tools |
- 1x Ninja V
- 1x Master Caddy II
- 1x 12V-3A AC power supply
Specifications
Additional information
| Weight | 0,320 kg |
|---|---|
| Dimensions | 15,1 × 9,15 × 3,1 cm |
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